SIGNALIS Game Review
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Fans of classic survival horror games will feel right at home when they play Signalis. Since it would be too easy to copy Silent Hill or Resident Evil, Rose-Engine decided to do something much more creative. It shows where it got its ideas from, like many independent horror games do, but it's not often that the ideas are so specific.
Indie games often use chunky PlayStation pixels, but taking visual cues from Stanley Kubrick's style makes Signals look like it came from another time. Signalis has a unique look that makes it stand out. Its UI graphics, which look like they came straight out of Neon Genesis Evangelion's NERV, add to this.
It's already a tense situation in a cryptic science-fiction mystery set in a run-down labor camp where the android workers have turned into monster psycho killers.Inside the workstation, there is a terrible secret, and the only way to find out what it is is for the main character, Elster, to find a picture in the cockpit of a ship. In our review of Signalis, we'll show you what it's hiding.
Horror games have been stuck in a rut for a while. They used to have a lot of different tricks and themes. Survival horror games seem to be mostly third-person, over-the-shoulder shooters, first-person action games, or walking sims these days. Rarely does horror break out of this pattern, but now Signalis is here to show everyone how diverse horror can be.
There have been a few survival horror games with an overhead point of view, but none have been as well-made or detailed as Signalis. The way this god sees the world and the people in it fits with the tone and themes of the game.
In Signalis, many of the characters are humanoids that were made in a lab to do certain jobs. The cold, faraway view makes the characters and setting seem small and unimportant. Because these are simple creatures, like ants in an ant farm, the low-poly models are simple.
Signalis's story is always cloudy and hard to understand. From the start, nothing is set up in a way that makes it easy to understand. The story is mostly told through text and heavy use of symbols. There is also a lot of vague technobabble and alien concepts that the player must learn to understand what has happened.
Simple things, like what a "Replika" is, are easy to figure out based on context clues and the history of the word. When Signalis uses words like "gestallt" and doesn't explain why analog cassettes are used for storage, it's easy to get lost in the mysteries.
When you analyze and read the scene, everything fits together. In Signalis, you find notes, receipts, and logs that hint at a deeper understanding of the world. This is a common trick in survival horror games. When you look at the environment, there is a lot to think about, especially when you think about how some of the atmosphere is rough.
The architecture and amenities of the building have a "cassette retro-futurism" look to them. The chunky, low-poly visuals really help sell this style, and they have a charm that is both tasty and filling. The place seems like a terrible place to work, and that's clear from how the characters are made and how they look.
The character designs pay tribute to Tsutomu Nihei (Biomega, Blame!). There are parts of the game that are about body horror and biomechanics. Everyone looks very tired and stressed out, and some even look soulless on purpose.
In Signalis, the existential bleakness is like being hugged by your guardian enemy. It's scary and uncomfortable at first, but the more time you spend there, the more like home it feels.
If all the signs of killing don't bother you, the creatures that are roaming around will. These things are a lot like Silent Hill 2's nightmares. They can look like a mix of a disgusting and sickly leper and Amy Schumer at an all-you-can-eat buffet.
Any veteran of survival horror games knows that a direct attack is a bad idea, that ammo needs to be saved, and that healing items will be scarce.
Signalis's resources are very well balanced, and Elster can only get critical hits with a fully charged reticle, even though the twin-stick style of shooting is very accurate.
There are times when things are dangerous and many threats are coming at you. Signalis is a methodical game, and a fast-paced game of "keep away" is just the right way to get the adrenaline rush it needs.
Foes don't always stay down when they're on the ground. Often, they need to be kicked or stomped on while they're still moving around.
Even after everyone has left an area, Signal rarely lets players take a break. Sometimes, new monsters crawl out from under floor tiles and into old hallways. These moments are put in places where there are a lot of people, like between item boxes and puzzle rooms.
It's as if the people who made the game thought that players would dump weapons and first aid kits into a room to get key items.
This devilish style is used not only for the monsters but also for the puzzles.
Signalis takes place in a strange and surreal world full of mysterious objects, strange symbols, and broken machines that require the player to use their imagination.
There are many puzzle screens like those in Silent Hill in the work camp. When you had to solve the water puzzle in Die Hard 3 to turn on the pumps and drain the water from an area, the 90s survival horror was at its best.Things like this make the tense exploration and shooting a lot more interesting.
Some of these puzzles will require you to figure out passcodes. Clues to a cipher may be hidden in the scribbles of a note. Elster will sometimes be able to tune her radio to certain frequencies to find number sequences.
Signalis is all about slowly putting together pieces of a solution without any help, and it's always satisfying to do this.
There are first-person sections where the player can look around and figure out a puzzle on their own. These are also nice changes of pace, but I'm not sure how well they work.
These moments are too slow, and turning around takes too long. This makes it hard to move around the space and figure out what can be interacted with and what can't.
Signalis is one of the few indie horror games that tries to do something completely new with a retro feel. The overhead point of view does a lot to make a traditional horror game easier to understand. Tank controls are nice to have as an option, but they don't work as well from an overhead point of view as they do from a cinematic angle.
When it comes to being a complete experience, Signalis has almost no flaws. Some impatient players might have trouble with some of the game's puzzles. For the price, Signals gives players a scary game that is very immersive and lasts about eight hours or more, depending on how good they are at it.
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